If you know where all of those are on a fretboard, you can make up the chord.ĭifferent people prefer different ways of thinking. For example, C minor is made up of C, Eb, G. Or, you can simply learn the note name of every position on the fretboard, and the note names that make up every chord, and use that knowledge to construct chords. Then you can construct a chord out of any combination of those. For any root note, you can work out (and, with experience, instinctively know) where the fifths and the thirds are, on the nearby strings. Yet another way is to get familiar with intervals. You can do this with all the shapes you know.Īnother way is to imagine a barre shape for the chord you want to play, choose the strings you want to play, and make a simpler fingering that only frets those strings. This means that you could play chords for any song, using just the D major and D minor shapes, at various positions on the neck. Try playing that shape, then the G chord you already know, to see how they sound harmonically alike. For example, a "D major shape" %X/X.0/0.0/0.2/1.3/3.2/2ĭon't play the open strings, and move this up 2 frets, it's an E. One way is to shift shapes you already know, up the neck. There are lots of ways you can construct 2-3 note chords. Most guitar parts more sophisticated than strum-the-chords, involve playing chords of fewer than 6 notes, most of the time. You can either suppress the unwanted strings with various muting techniques, or you can just make sure you don't pluck/pick those strings. Of course, if you finger a 6-note chord, you can strum wildly, but when you play a chord like this one, you need more precision. In this example, the E,A,E strings are not played, and a triad is played on the remaining three strings. It can result in some full, complex chords.Ĭhords in which some strings are not played %X/X.X/X.7/2.7/3.6/1.X/X In this example you play open E, B, E strings, while fretting notes on the others, on the 6th and 7th frets. In this example you barre across the 5th fret, and use fingers 2,3,4 to form the rest of the chord shape.Ĭhords containing both high fretted notes, and open strings %0/1.7/2.7/3.6/1.0/2.0/1 There are three kinds of chord you can play high on the neck.īarre chords: You mention these in your question, but I mention it for completeness.
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